Alela Diane
After Farewell
Rusted Blue Records
Full disclosure: I reviewed Alela Diane’s wonderful last album Alela
Diane and Wild Divine as a promo from Rough Trade. And I’m not being glib here. That album and her Rough Trade
debut, To be Still were and are wonderful. I write this as a fan first and a critic second. As for her
self-released debut The Pirate’s Gospel, I still need to hear this. My
apologies.
This is stark, spare, haunting, intense, eerily calm music.
While cathartic, it’s not a downer. Mostly just Diane on acoustic guitar, with
guests such as Heather Broderick (Horse Feathers, Efterklang, Loch Lomond)
piano and flute, Holcombe Waller on
strings, and Neal Morgan (Joanna Newsom, Bill Callahan) drums. She recorded and mixed the album with John Askew at Scenic Burrows and Mix Foundry.
So
yes, this is a folk album, a little like early Dar Williams at her most pared
down, think “February” from Mortal City, or Mary McCaslin’s lost classic album
from 1974, Way Out West. Any album that could sound as good as them will always
make me take notice.
Lyrically,
it’s just as cathartic. Diane went through a divorce, and she explores her
emotions, and her decisions about it. It’s not so much confessional as honest
as to why she thinks and feels the way she does. And while there are many
albums on the subject, this stands out. She doesn’t make a big statement about
anything she went through, just says what she needs to, and leaves it at that.
With
neo-folk riding high on the charts, is there any place for an album that is
straight up folk music. Yes, absolutely, and this album is a relief in the wake of Mumford and the rest of that genre. There is a
long tradition of folk being quiet and devastating, Joan Beaz’s song “Diamonds
and Rust” come to mind, and that was around long before the latest folk wave,
and will remain long after that trend fades. Diane’s album is in Beaz’s
tradition, which makes it true folk, because true folk is a lot more than what
on the charts right now. https://www.facebook.com/aleladianemusic
Andrea Weiss
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