Queens
Of The Stone Age
Villains
Matador
I’ve
always liked this band, but never more than with this new album. I’d feared the
worst when I found out Mark Ronson had produced it. I did not want Josh Homme
turned into Bruno Mars, or the band aping Uptown Funk.
Thankfully
that isn’t what happened. Instead, the production has an organic feel. Their
angular, irregular hard rock packs a bigger punch than most, and when synths
are used, it’s with a light touch. While I always loved their sense of melody,
this album sounds even more melodic to me than their previous work. The songs
flow both melodically and lyrically, not just within themselves, but over the
album as a whole, pulling it all together as a unit.
The
lyrics are dark, but done smartly, so they never go overboard. My favorite
lyric on this album is "Hideaway," and anyone who has been in an
unequal relationship will relate to this song. It's balanced by
"Fortress," where Josh offers shelter and comfort to someone he
loves, tells them to let their guard down, and be with him. In its own way,
it’s sweet.
The
moral of this review is never judge a book by its cover. Ignore Ronson’s pop
work and approach this album with an open mind. If you’re a fan, though this is
a little different, there is plenty for you to sink your teeth into. If you’re
new to the band, let the guys take you on a ride, then go on into their past
work from there.
Andrea Weiss
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