Sunday, August 27, 2017


The Bye Bye Blackbirds
Take Out The Poison

The follow-up to 2013’s "We Need The Rain" is more shimmering power pop/college rock from this long-running Oakland band.

Every track has something to recommend it, but three songs that stand out without diminishing the rest are noted here: the anthemic “Let Your Hair Fall Down” and “Baby We’re Fine,” and the Elliott Smith-like “I Meant To Write.” All three can be the gateway to the album, and while I’ve already reviewed it separately, “Duet” is another standout track, with a very sweet video.

The wait for this album was worth it for music this great, so do your ears a favor.  

Andrea Weiss

Thursday, August 24, 2017


Game Theory
KCM Records

Where to start with a heartbreaking review like this? With the basic story? I can, but I know there’s more.

Scott Miller was working on this album, had the title for it, the first GT album since 1988, and then he died before he could finish it. His wife, Kristine, with a whole cast of people helping, finished the album. While it was first crowd-funded, demand is such that it now has a general release on Bandcamp.

There are so many what ifs here. Scott’s voice and writing hadn’t aged a bit; these songs could have been on most any Game Theory album, or maybe "Plants and Birds and Rocks and Things," the first album by the Loud Family, Scott’s band in the 90s. With this expanded posse the songs were finished in ways not anticipated, but as close to Scott's vision of it as possible. It’s heartbreaking that it has to be like this. He still had it, which is what makes this album so good. Everyone involved pays fine tribute with their playing, and in some cases singing (Scott had recorded some vocals), but I’m going to single out the late Gil Ray here, a member of both Game Theory and the Loud Family, who lost his battle with cancer before the album was released. His percussion tracks are great. After that, it’s all equal.

Most of those who played with Scott are on here, along with others who were influenced by him. Did you know Aimee Mann was a Scott fan? Ted Leo, Will Sheff from Okkervil River, the Posies, and Doug Gillard of Guided by Voices and Nada Surf? You’ll hear what they got from Scott here.

With the exception of a comp of demos from the final Game Theory lineup in the pipeline, this is it. There wasn’t anything else, which means this is good-bye. I know for me Scott’s songs will live forever, and this album now belongs to history, and eternity. Thanks, Scott, if you’re anywhere, for all the great music.

Andrea Weiss

Sunday, August 20, 2017

Mark L.

Mark Lanegan Band
Underground Arts
Philadelphia, 8-17-17

I’d always liked Mark Lanegan, but I’d never seen him live, until now.

Duke Garwood and Lyenn were the two opening acts. Duke plays guitar in Lanegan’s band. He sounded like a good Chris Cornell emulator, circa Chris’s songs from the Singles soundtrack. Lyenn sounded like a more amplified Elliott Smith. They were good, but I wished they weren’t just solo guitarists, as the bare bones of their songs were good enough to make me wish for a full band. I liked their take on electric folk.

Lanegan and band hit the stage around 10:40. As dark as his songs are, there is also a lot of hope in them, and he seemed happy and to be having a good time onstage, which I found very likable. His voice has gotten better with age, a very rare thing, and his band is top notch.

The crowd, mostly 50-something’s like me or younger, seemed to be long-time fans. The venue can hold about 300 people. All hung on his every word, something I joined in on. And for the encore he played Joy Division’s "Love Will Tear Us Apart" very well.

Mark doesn’t tour the East Coast that often, so I knew this was a treat, and a great one. I left that night very happy. I hope to get to see him again.

Andrea Weiss


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