Inc.
3
4 AD Records
Inc (formally Teen Inc) are brothers Andrew and Daniel Aged, who have toured with the likes of Cee-Lo, Elton John, 50 Cent, Beck, and Raphael Saadiq. They are a synth-pop duo from L.A. whose three song EP is perfect for the dance floor, with a sound reminiscent of “Little Red Corvette” era Prince. A worthy and great debut. [www.officialinc.com] [ www.facebook.com/Inc-Life]
Andrea Weiss
Zomby
Dedication
4 AD Records
If Keith Emerson were to make a mellow techno album, and did not draw on classical or jazz for the music, he might make the kind of album Zomby has made: a little bit grand, but also quieter, and contemplative. “Digital Rain,’ a highlight of Dedication is an example of this, sparse, moody, but also a somewhat majestic peice..
The tone if this album is somber, befitting what Zomby calls a tribute to a much loved and missed friend. Zomby is one of the greats of mellow techno, with this very fine album. [www.myspace.com/zombyproductions]
Andrea Weiss
SBTRKT
S/T
Young Turks
On the surface-this album Massive Attack lite. Listen closer and lite turns into light. But not lightweight, rather a light touch. There is no doom and gloom here a’ la Massive Attack, just good music for just about anything , everything from dancing, chilling out, walking, thinking, and working out.
SBTRKT (pronounced Subtract) lets other people, like his collaborators Little Dragon, Roses Gabor, Sampha and Jessie Ware carry the load. He just provides them with a solid foundation. But they’re top notch, and blend their parts into a very satisfying whole. And this album has a well-deserved buzz. Drake remixed and rapped on the song “Wildfire” along with Little Dragon. Both the original and remix are great, and are very good introductions to a fine album. [www.sbtrkt.com]
Original version http://pitchfork.com/forkcast/15739-wildfire-ft-little-dragon/
Andrea Weiss
Rubblebucket
Omega La La
Sin Duda Records.
On first listen, this band sounds like the Dirty Projectors. But they are cold, cocky, calculating fish, and Rubblebiucket has too much heart, soul, fun, love, joy, and modesty to be like them. Instead this album is a really mellow version of the B’52’s. Not the B’52’s of the late 70s and early 80s with classics like “Rock Lobster,” and “My Own Private Idaho,” but the mature band who wrote classics like “Love Shack” “Song for a Future Generation,” “Roam” and the album Funplex.
When lead singer Kalmia Traver sings a line like “you came out of a lady, oh!” it’s pure happy fun, B’52’s style. On “Silly Fathers,” the band argues they’re not sane, secure, mysterious, just a “chromed up, lubed up image of ourselves” they simply means that don’t take themselves too seriously. And even when their songs are sad like “Triangular Daises” the sweetness of the band shines through anyway, making the songs bittersweet.
This is a blast of a full-length debut. Dancing and thinking, it’s all the same to Rubblebucket, just like the B’52’s do. It’s delightful, and loads of good natured fun to listen to. May they dance and think like this forever. [https://extramusicnew.wordpress.com/tag/sin-duda-records/]
Andrea Weiss
Fucked Up
David Comes to Life
Matador Records
The structure of these 18 songs are formally pop: verse, chorus verse, and very melodic. But the huge amount of noise in this pop is more like Husker Du’s brand of barrage, especially like the Du’s classic album Zen Arcade than hardcore. The vocals may be bellowed like Bob Mould’s, but there is also an element of un-Mould like screaming.
Another way David Comes to Life resembles Husker Du is lyrically: Zen Arcade was about a young man leaving home to face a hostile world, and on both albums the lyrics are surreal. Another album with rather surreal lyrics, but also experiential power pop, was Game Theory’s Lolita Nation. There the theme was a young man coming of age in an increasingly plastic world. So yes, Fucked Up’s new album is something of a concept album. The concept here is love, death, and starting over. A young man named David has a dead end job in a light bulb factory in a small British town, and he falls in love with a woman who is a rabble rousing communist. The woman dies in an explosion or terrorist attack, and David is devastated. He plots revenge, but also meets another woman who he falls in love with. This puts an end to his plan of revenge, and he also realizes that things are okay now. He can still love, so everything is fine, and life goes on. The narrative is very loose, the band doesn’t even know how the story ends, but it works very well. As does the music, the wonderfully sprawling, life- and love-infused music which never quits being positive, just like the lyrics. David Comes to Life indeed. He leaps out of the songs, and tells his bracing story, grins when he gets to the end, confident he’ll leave listeners smiling, happy, and cheering him on. [www.myspace.com/epicsinminutes]
And here is a mini documentary about the band. [http://youtu.be/3dYWof3QZbQ]
Andrea Weiss
Thurston Moore
Demolished Thoughts
Matador Records
Moore’s new solo album is quieter, softer, and gentler than his last solo outing Trees Outside the Academy. With acoustic guitars, violins, and many other muted instruments, the form is simple. Moore’s lyrics are clearly about relationships, including “Circulation” which may be about how much he loves Kim Gordon.
The mood could be described with adjectives that are rarely used about Thurston’s albums or indeed Sonic Youth: soothing and comforting. It’s like having a deeply felt, long conversation with a good friend, who is also a good listener. And it is that which turns Thoughts from sounding like a great follow up to Trees, to something more stunning. His last solo album was great. too. The understated emotions here are sweet and wonderful, usually that wouldn’t be associated with Moore or Sonic Youth. If the album sounds melancholy in places, that just adds to its meaning….kind, loving, caring and even a bit cheery. It’s lovely. [www.matadorrecords.com/mpeg/thurston_moore/thurston_moore_benediction.mp3]
Andrea Weiss
Friendly Fires
Pala
XL Recordings
Pala is an excellent updating of the new romantic movement. Duran Duran seems to be the source the band draws on the most. However, Duran Duran wrote better lyrics, whereas Friendly Fires dosen’t cut any deeper than, say ,Naked Eyes. This makes Pala wonderful as light entertainment, and great for the dance floor. So put this on, do the twirl, and just feel good all over. [www.wearefriendlyfires.com]
Andrea Weiss
The Shivers
More
Silence breaks Records
If Rufus Wainwright had been influenced by indie and garage rock, rather than opera and his parents’ folk music, he would have been the Shivers, the duo Keith Zarritllo (vocals and guitar) and Jo Schornikow (keyboards) from Queens NYC.
They have released four albums, More being their latest, since they formed in 2001. Using their savings to record in an analog studio in Manchester, England, they serve up ten tasty songs steeped in garage and indie rock, with a bit of Leonard Cohen-style writing for extra lyrical content. A really good album, with a lot of charm, smarts, and musical action. Solid all the way around, and a lot of fun to listen to. [www.silencebreaks.com]
Andrea Weiss
Pantha Du Prince
XL Versions of Black Noise
Rough Trade Records
This album reworks 2010's Black Noise into straightforward amibient techno, ready for the dance floor. It's a relief from the original's clattering rhythms and clunky melodies.
The best remakes on this collection are Four Tet’s version of “Stick to My Side,” and Animal Collective’s version of “Welt Am Draht .” They are the best ones for dancing and "Welt Am Draht" is also good meditation music. It's the best composition here.[http://promo.roughtraderecords.com/panthaduprince/ANomadsRetreat_TheSightBelowversion.mp3]
Micachu and The Shapes
Chopped and Screwed
Rough Trade Records
The band's off-kilter melodies are the saving grace of this collaboration between Micachu and The Shapes and the London Sinfonietta. These are melodies that keep the music from going off the rails. There is more dissonance than usual for modern classical music, and it brings the music to a screeching halt.
These melodies are a tribute to the woozy, codeine-infused music of a Houston DJ named Screw, who died of a codeine overdose 11 years ago. They are also the curse here. Classical music, even modern music, hip-hop, and the art pop of the Shapes don’t mesh. They are apples and oranges. Since this is a recording of a concert, perhaps seeing the performance live would have helped. The recording as it stands works best as a great way to end an annoying party. This music will clear a room in one minute flat. For that matter, the most important lyric here is: “Even if I turn my back/twist my head until I snap.”
[http://promo.roughtraderecords.com/micachu/everything.mp3]
