Thursday, October 15, 2015

CoCo Rosie
Heartache City
No label

Sisters who make music so cute that eventually it turns obnoxiously childlike.  “Lost Girls” has a good message, solidarity for the everyday perils women face, but the song's pretentiousness undermines this great message.  At best they sound like a stripped down Bjork, and fans of Bjork will probably like CoCo Rosie just fine.

Andrea Weiss

Tuesday, August 18, 2015

Let It Ring 

R. Ring
Johnny Brenda's 7-27-15
Philadelphia, PA
And an interview with Mike Montgomery



R. Ring - "Loud Underneath": A super mid-tempo rocker that is light-footed and nimble. It’s a relationship song; maybe about trying to tell someone you like them.

R. Ring - "Singing Tower": dreamy, loving, sad, hushed music, about an uncle of Mike’s who lived across from an ancient church, marked by ringing bells from the bell tower. When he died he might have haunted the bell tower. Mike wanted to let him know that it was okay to climb down.

Quailbones - "A Tip to Trick":  As dreamy as Singing Tower.  Louder, crunchier, darker.  Maybe about a relationship that’s ending.

Protomartyr - "Blues Festival": A hard charging rocker, strong, forceful, with pointed words of advice to bands starting up. Think of The Fall’s Mark E. Smith playing musical therapist.  Kelley’s backing vocals add even more of an element of subtlety and lightness.                

I saw R Ring when they stopped off in Philly for a show at Johnny Brenda’s.  I knew how good they were after having seen them three years ago at a place in Huntington , WV named The Black Sheep.  R. Ring stole that show, too. 

Johnny Brenda’s has a better sound system than The Black Sheep.  I spotted Kelley, Mike, and their drummer, Leo, and went and said hello. It was good to see them since I hadn’t seen Kelley and Mike since The Black Sheep. I was also glad to make Leo’s  acquaintance.

R. Ring headlined a three-person bill. and up first was Cynthia Schemmer, from the band Radiator Hospital, who was wonderful. A singer/songwriter that was appealingly grungy. After her set, I bought a copy of She Shreds from her, a magazine for women who play guitar and bass. It’s well written, feminist, and it was great to read the interviews where smart questions were asked, and that took women seriously as guitar and bass players. Ms. Schemmer writes for it, and is very good.

If you’re part of the Philly indie scene, you know The Dead Milkmen, who have been around since the 80s. Joe Jack Talcum is a member of said band, and I wasn’t sure what to expect from an acoustic set by him. But he was charming, in a Jonathan Richman sort of way. And a tremendous musician.

R Ring played all the songs they had released over the years. They took on new dimensions, with acoustic guitars pouring feedback and distortion and Kelley’s fantastic vocal effects from her pedal board.  It was 40 minutes of greatness. 

After their set, with Kelley’s help I bought everything R.Ring had to offer including  a T-shirt, and  an EP they’d made for a Dutch label, Mass Market, called The Rise EP. I’d been wanting to hear it, and if you can find it, pick it up.  It’s wonderful, and all packed in an evidence bag, the kind the police use.  I’d wanted to stay, hang out a bit more, but the band was tired, and i didn’t want to overstay my welcome. So we said goodnight, and I went home happy.


I recently sat down with Mike Montgomery for an interview about the new songs, and upcoming tour dates. I want to thank him for that, and thank the band for making my night and seeing them live again.

Andrea Weiss: How did you meet Protomartyr and Quailbones?

Mike Montgomery: We met Protomartyr at a sub pop showcase in Austin, TX a few years ago.  We really liked their songs. We met Quailbones at a show in Murray, KY and really liked their music.  We decided to stay in touch. 

AW: The artwork for the Quailbones 7 inch is so good. Who drew it?

MM: Ali Calis at Able Projects in Cincinnati did the art. He's a wizard. 

AW: I also like the Protomartyr artwork, who drew that? Both are very arresting. 

MM: Alex from Protomartyr did the art for that 7 inch. He is also a wizard.  

AW: R. Ring's two songs for the 7 inches are so different.  Do you like that kind of contrast?

MM: We just go one song at a time, so sometimes they turn out differently from each other.  It wasn’t intentional to write two contrasting songs, but yeah, we like how they turned out. 

AW: Who played the drums on Loud Underneath?

MM: Joe Frankl is the drummer on this one. Another wizard. 

AW:  How did you get Hardly Art, Protomartyr’s label, to put out the split 7 inch with you and them?

MM: Protomartyr has a contract with Hardly Art for their other releases so they arranged it all. 

AW: Do you and Kelley write separately, and bring in complete songs, or  collaborate when you play together?

MM: Yes to both. We write separately and together. 

AW: And if you do write together, who does the music and lyrics? 

MM: We write both music and lyrics, together and separately. 

AW: I’ve been reading in interviews that you’re working toward a full-length album, which will be exciting. Any timetable for putting it out?

MM: No ma’am. No timetable whatsoever. 

AW: Do you plan to tour anymore this year, or save it for next year?

MM: We have a few shows this coming weekend: Aug 21 in Athens, Ohio at Donkee Coffee. Aug 22 in Columbus at cd102.5 big bar.  Aug 23 at Crave Fest in Lexington, Ky. 

Earlier interview that I did with Mike here: http://allaroundrecords.blogspot.com/2012/06/normal_28.html 

More about R. Ring here: http://rring.tumblr.com

She Shreds Magazine here: http://sheshredsmag.com



Andrea Weiss

Friday, May 8, 2015

Game Theory
Real Nighttime
Omnivore Recordings

 If anyone is curious as to why I haven’t blogged lately, I’m here, but taking a rest from reviews. This blog still works, but there won’t be as many reviews in the future.

I know I didn’t review the previous Game Theory album, Dead Center. That was because I don’t live near a good record store where I could have gotten the reissued EPs Distortion and Pointed Accounts of People You Know. So I’ll sprinkle in some thoughts on the Dead Center comp, which encompasses those two EPs.

Dead Center was a transitional album for Game Theory. The parts were in place for a great leap forward, much the way the two EPs were a step forward from Blaze of Glory. Real Nighttime was that leap forward.

I love Mitch Easter’s exquisite production on this album. The band shines, and special mention must be made of Nan Becker’s wonderful keyboards and Scott Miller’s underrated guitar playing. The bonus tracks are a revelation. I never got to see Game Theory live, so they’re a treat.  The booklet is also revealing, informative and celebratory, particularly the remarks by Carl Newman.

I love all the songs, but I’m not going to single out any of them.  Instead, I’ll say that Scott had an interesting and wonderful idea: to put James Joyce-style language into a pop song.  I read a little of Ulysses to try to understand.  Leave it to Scott to make something like that work.  Read how in the reprinted insert in the booklet for the album.


I didn’t get to hear Real Nighttime in full until after Game Theory had changed into the Loud Family. I’d heard some of the tracks on GT’s best known songs comp Tinker to Evers To Chance, and then managed to find a copy on cassette. I wore out that cassette and the Alias reissue in the 1990s, so I’m very glad to have this album. Omnivore has perfected the reissues of the GT catalog.  Very well done all around.  If you’ve never heard Scott Miller, start with RN, and work backwards. Then get ready for the rest of the reissues to follow later this year.

Andrea Weiss

Saturday, November 29, 2014

Lace Curtains
A Signed Piece Of Paper
Female Fantasy Records

Lace Curtains is the band of ex-Harlem member Michael Coomer. Whereas Harlem was modern garage rock, Lace’s album is much more pop, almost lounge-like, and absolutely made for late nights.  Lyrics, nice and terse, are about relationships, romantic and otherwise. The title comes from an old warning to girls being scouted at talent shows by Hollywood types who would encourage them to come to Hollywood to be a star. At the time, actors were contract players for studios. If the girls weren’t signed by a studio, they had very few options.


This easy listening pop is a good debut.  It goes down nice and easy, and is always sincere, never ironic. Let’s hope there is more to come from Coomer. 
Andrea Weiss

Saturday, November 15, 2014

Swearing At Motorists
While Laughing The Joker Tells The Truth
A Recordings

This is the first album since 2006’s Last Night Becomes This Morning, and the first for Anton Newcombe’s A Recordings.  Like that album and the ones before it, the Dayton, Ohio duo produced another good one, with the same minimalist instrumentation and droll lyrics about life and love.  Frontman Dave Doughman sounds as good as ever, his deep voice adding emphasis to the lyrics.

SAM have elements in them of other Dayton bands like The Breeders and Guided By Voices, but they always occupy their own space.  And what a space it is. This band is a lot of fun to listen to, especially on “I Likes Your Style,” the album’s best track.  Perfect for late night, early mornings, and quiet times at any time of the day.  https://www.facebook.com/swearingatmotorists

Andrea Weiss

Monday, November 3, 2014

Electronica

Ultramarine
Every Man and Woman Is A Star
Rough Trade

Lovely, beautiful, relaxing, calming and smooth sailing. These are some of the words that come to mind while listening to this album.  Made in the early 90s, before electronica was a genre, this reissue pointed toward fusion jazz and progressive rock and used both for its own sound. 


The original album came out in 1991 on Brainiak Records and then in expanded form in 1992 on Rough Trade.  This reissue adds four tracks that originally were a 1992 Peel Session, where the energy of the band shines through, and caps a fine debut.  This is a must hear for electronica fans and for those who want good music to chill to or to think. 

And for a a very good short film using thew band's music, it's here:


Andrea Weiss

Friday, October 17, 2014

Game Theroy

Game Theory
Blaze of Glory
Omnivore Recordings

They were young, punky, and had it even then. That is, flashes of brilliance even on their first full-length album. But in 1982, who knew how great Scott Miller really was? His confidence here shows you that he knew.

Blaze of Glory was the first album from Game Theory, and it is back in print after being out of it since the early 1980s.  The album includes many bonus tracks, outtakes, live cuts, and a few from Scott’s first band ALRN, all of which are every bit as good as Scott was later with GT.


From ALRN’s “Beach State Rocking,” to “Bad Year At UCLA,” from GT, there is a lot here to savor.  And there isn’t a bad track in the bunch, which is amazing for a debut. If you’re a Scott Miller fan, or are curious about what GT sounded like and, like me, can’t wait for the rest of the GT catalog to be reissued by Omnivore, then this is a natural, and a good starting point.
Andrea Weiss

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