Saturday, December 17, 2016

Rise EP


R. Ring
Rise EP
Mass Market Recordings

I’ve had this EP for a while, but never got the time to review it, until now. In 2013 the duo of Mike Montgomery and Kelley Deal toured Europe. This EP was released then. It’s now available at Bandcamp.

Mike’s song "Steam" is very good, and very sad. It’s aid and comfort to a friend whose wife left him. But for all the sadness, there is also empathy and hope. It’s also the most polished song here musically, which suits it well.

As good as Mike’s song is, it’s Kelley’s songs that power the EP. All are about obsession. “Rumine's,”  statement of, “I am cruel, I don’t care,” extends into the question: “Are you mine?” I like the roughness of these three recordings, especially “Rumine,” as it gives them a really warm feel.

All in all, a great EP. And am looking forward to their first full length album in the spring. 

https://rringsings.bandcamp.com/album/rise-ep

Andrea Weiss

Thursday, December 15, 2016

KD6K


Kelley Deal 6000
Go To The Sugar Altar
Boom! Boom! Boom!
Nice Records

           As head-spinning as Game Theory’s Lolita Nation, but without James Joyce influencing the lyrics. Scott Miller is my all time favorite male musician; Kelley Deal is my favorite for women. Or I could just say they are tied for first place.
            These two albums are of a piece. If you love one, you’ll love the other, as that’s how consistent they are. Spare, but rich and full all the way through. There isn’t a bad song in the bunch. For the most part, they are uncategorizable pop, but then you get a rocker about finding the love of your life, “Brillo Hunt,” with a guitar solo to thrill to. 
            The lyrics are subtle, nuanced, like Scott Miller's or Carl Newman's. Many things are happening here, almost too many to keep track of, and that’s okay. It just means you’ll listen again. 

Andrea Weiss

Tuesday, December 13, 2016

Top Tens

It may be a bit early, but I was filling top tens out for radio stations, so I figured it was time anyway.  No rankings except for Special Teams. Song of the year. Songs first.


Special Teams - SunFire (Kelley Deal and Friends)


Nice As F##K -Door

Daws - Roll With the Punches


Tegan And Sara - U Turn


Tacocat - The Internet


Mitski - Your Best American Girl


Margaret Glaspy - You And I


Warpaint - New Song


Angel Olsen - Shut Up Kiss Me


Sad13 - Get A Yes


Albums:


Nice As F##K


Margaret Glaspy - Emotions and Math


Tegan and Sara - Love You to Death


Mitski - Puberty 2


Tacocat - Lost Time


Daws We're All Gonna Die


Esme Patterson - We Were Wild


Angel Olsen - My Woman


Sad13 Slugger


Andrea Weiss

Sunday, December 11, 2016

Greg Lake



           When I heard that Greg Lake had passed away earlier this week, I was just as upset, maybe even a bit more, than when Keith Emerson passed. I like lyrics, I like singers, and I loved Greg’s songs, all of them. Don’t misunderstand me, Emerson was an amazing keyboard player, I love Carl Palmer’s drumming, but the words were always foremost for me.
            “Welcome back, my friends, to the show that never ends.” An invitation to what? A good time, a wild time, a fun time, or something darker? That’s the wonderful mystery. I still haven’t solved it for myself, but I wonder every time I hear the song.
            “Oh, what a lucky man he was.” Greg wrote this when he was twelve. He was that sharp and pointed even then. When this song was first released, it was naturally taken as anti-war – Vietnam, that is. When I heard it, I thought it was about WWII, but in interviews I read later, he said it was a Medieval fantasy. That's the beauty of this song, that it can mean different things for different people, yet the message remains the same.  When I saw Greg play this song live acoustic in 2010, while his voice was deeper than when he was young. That was the only change. He still sounded great. And, of course, Keith’s marvelous Moog solo, still a favorite of mine.
            “Every day a little sadder, a little madder, someone get me a ladder.” I think everyone feels like this at times. But for all of those times, there are also those like Hoedown, happy ones.
            There are so many others, and everyone will have their own. But I’ll conclude with “I Believe In Father Christmas” and "21st Century Schizoid Man.”
            The former has always been one my favorite Xmas songs, especially as its message is that Xmas shouldn’t be commercialized, something I agree with.
            The latter is, of course, King Crimson, and another favorite of mine, especially since it is the 21st Century.
            Long live Greg, ELP, his solo projects, and his songs. I am so glad I got to see him and Keith on their duo tour. I met him after the show, too. He was a real sweetheart who put me at ease. People were taking pictures of us, and Greg clamped his huge arm around my shoulders, said “relax,” and didn’t let go until everyone had their shot. And that one bit of kindness was I think what Greg was all about. That, and, of course, his music.

Andrea Weiss

Tuesday, December 6, 2016

Message #2


I’m thrilled and humbled by the response to my last few posts. And, well, I’ll be reconfiguring things a bit from now on, as in, if I have something worthwhile to say, I’ll say it. If you agree with me on that, happy reading. Of course there’ll be enough record reviews to break things up.

As a disabled and conscientious person, I do think that the disabled will get the shaft from Trump and co. So, as a writer, I’ll speak out on it, but rather than ranting, something a lot more fun. Like a screenplay. A web series I've begun work on, titled Modern Rock.

Out indie band Modern Rock runs afoul of the new thing on the block, alt-alt, a scene that takes the wrong lessons from Nineties alternative rock, and the Nineties in general. The upshot is a slew of right-wing, snobbish, ableist bands. When Modern Rock, is told to get with the program, they refuse, self-release a 7” with two happy, healthy songs, and start the counter-revolution. The band is led by Leaf and Gail, a learning disabled couple. It's their songs that set the plot in motion. Their label wants a full album, so the band gets creative and records one. All hell breaks loose.

Creative, in this case, is how it is to create when you’re disabled in some way, and in this part of the script a whole bunch of stupid myths about the disabled get killed. We’re not stupid, and we don’t think we’re hip, trendy, cool, and fun just because we have problems. And just because we have a disability, it doesn't mean we are disabled at everything, and aren't good at anything. We want a fair chance to show what we can do.

My creative process? Despite never knowing what I’m going to process properly, I do try, all the while knowing it’s something I can’t fully control. Various types of media inspire me. I read The New York Times, The Washington Post, my mail, social media. I have the great fortune to live near a great public radio station, WXPN in Philadelphia. I can sit and think to them anytime, and to a select bunch of musicians whose songs are always there, including, in no particular order, the late Scott Miller, Pavement, The New Pornographers, Fugazi, Kelley Deal (all her bands), Jenny Lewis (all her  bands), The Pixies, Daws, Nirvana, Jefferson Airplane, Grateful Dead, Dar Williams, and Jill Sobule.

Good art takes a stand. I stand for the rights of the disabled, for LGBT people, for all, and against bigotry. Trump and the alt-right can go to hell. They won’t win, not at all.

Andrea Weiss

Wednesday, November 30, 2016

SunFire


Kelley Deal and Friends
Sunfire
Self-released

Part of a longer work, a song cycle, this piece features a bass clarinet, a recorded handball game, and Kelly Deal’s self-produced vocals, organs, and sewing machines. King Baby Nuxhall helped create this song, along with Evan Ziporyn on clarinet pieces. Matthew Ritchie and Kelley Deal co-wrote the lyrics. Matt Boynton at Vacation Island Recording mixed it.

The track is excellent for this type of music: nice, mellow, a meditation on Sunfire in the persona of a man. The parts fit together well, very atmospheric, as the song fades in, does its great thing, and fades out. Deal sings it very trancey, and well. Play this on headphones for the full experience.

For more on the piece, and a name your price download, go here: http://specialteamsmusic.bandcamp.com/releases

Andrea Weiss

Tuesday, November 22, 2016



The Voice Project pairs people like Johnny Depp, Peter Gabriel, and Tom Morello with artists, writers, and musicians who are political prisoners in their home countries. What they do with the pairings is combine the prisoners' mug shot information with photos of those who are championing them, and put the images on t-shirts, which they sell to raise funds. The goal is to raise awareness of free expression and free speech, and show that you can, and should, speak out if your government tries to take away your rights.



Tom Morello

 I find this project timely, welcome, and am fully aware that this could happen here like never before. We have right now a President-Elect who could take our rights away and make the US into something repulsive. We can’t let that happen. So if you like this project, like me, and buy one of the shirts, you’re doing more than buying a shirt. You’re speaking out against injustice at a time when we really need to.

Johnny Depp


Andrea Weiss

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